|
Ain't
technology grand? That's what I always say when I hear music like
this. This compilation comes from a group of electronic music makers
who live all over the world, and are connected, most of the time,
only by e-mail. They range from "published professionals"
like Forrest Fang and independent label artists like Dark Duck's
Stephen Philips to complete amateurs who have a lot of expensive
sound equipment in a back room of their home. (This back room thing
can also be true of the "professionals.")
There are two CD's in this album,
which follows a fairly common pattern in 2-CD ambient sets: the first
CD contains more rhythmic tracks, and the second contains the more
drifting, beatless "pure ambient" tracks. I found both of
them enjoyable listening; the rhythmic stuff on CD1 is best by day,
the ambient on CD2 better by night. One of the standout tracks on
CD1, for me, is the nine-minute excerpt from "Ambient Temple of
Imagination's" rave performance, dated 1995, in San Francisco -
it is a driving trance-rush segment with a railroad-like speed.
Another pair of good ones in succession are track 3,
"Avalon," by Belgian Tim Handels, and track 4, "Marisol
(Warm Dub Mix)" by Southern California-based "Universal
Selector." Both these tracks have the kind of sweet but ironic
blend of nice chords and clubby techno sound that I associate with
Britain's technomusic-entity "Global Communication."
Another melodic, pretty piece is Ohio-based "Dub Jay's"
"Amber Translucence." In
general the pieces on both discs of this album tend towards a rather
"thin" sound, without too many stacked-up tracks or loud
"walls of sound." CD 2 features a more "classic"
style of ambient. Utah resident Kendall Jackman shows the influence
of Mychael Danna in track 3, a "serious" synthesized string-orchestra
piece called "Weightless." Some tracks are in the
"dark ambient" vein, such as Canada's
"dreamSTATE"'s "White Winter Moon" (track 4) or
Australia's Sam Melbourne's guitar-spacey "Amongst
Myselves." (track 2). Forrest Fang's entry, "Harmonia,"
(track 5) is a sparkling pentatonic "outtake" from his
recent album GONGLAND. Dark Duck's Stephen Philips contributes a
foggy, nocturnal vision under his "Deep Chill Network"
imprint, track 9, "Alone." Other pieces on CD 2 tend
towards the "drone" or "minimalist" style, mixed
with electronic bleeps and recorded and looped "found sounds."
All the participants on this album
identify themselves on the inner pages of the paper insert, including
their e-mail addresses and Web sites, so that if you want to hear
more from any one of these guys, you can contact him and then hope
for the best. This kind of production is, I hope, just the beginning
of a new way of both making and distributing music and other
sound-productions, something which goes directly from individual to
individuals without the often destructive pressure and interference
of the commercial music market. This way even the most esoteric
sounds can be shared and heard.
Hannah
M.G. Shapero 12/15/2000 |
