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A Review of The North Coast by Alan Lidden aka Daniel Land
It is a rare feat when an artist can coax such a vast, ethereal spectrum of sound from a single instrument, yet Alan Lidden achieves exactly that on his latest long-form exploration, The North Coast. Composed of a single 59-minute track, the album is a masterclass in guitar-based ambient texture, transforming the familiar strings of a guitar into a shimmering, oceanic expanse. Unlike the pressurized, subterranean chill of Craig Padilla’s Vostok, Lidden’s work offers a lighter, more translucent immersion. It is a journey that feels less like being buried in ice and more like floating effortlessly in the weightless embrace of the sea, where the boundaries between water and sky begin to dissolve.
Throughout the nearly hour-long voyage, there is a distinct sense of "Sirens calling" from the depths. At various points, wordless voices seem to echo within the drift—choruses of light that rise for a fleeting moment before slipping back into the sonic tide. These spectral vocal textures, though likely created through masterful manipulation of guitar effects and reverb, add a deeply human, almost spiritual dimension to the work. It is a peaceful, uninterrupted stream of sound that provides very little distraction for the mind, allowing the listener to remain in a state of suspension, lifted off the ground by the airy, lifting quality of the drones.
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