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Sam Rosenthal
Projekt Records

Fight Piracy. Help your favorite artists fight illegal file sharing!


AV's Q&A
With Forest


Forest
 


Articles Around
the web

New Age Music
Made Simple
by Stephen Hill

Ambient Music Wikipedia Style

 

 




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A Journey into Sound and Spirit

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Byron Metcalf



Dream Tracker with Steve Roach


Dashmesh Khalsa


Matthew McDonough
aka MjDawn


Frequency Response

AV's Artist Interview Page

Frequency Response AV talks to Matthew McDonough aka MjDawn

MjDawn is an artist devoted to his work bridging acoustic drums with the possibilities of the world of electronics. In the scope of contemporary popular music, as Matthew McDonough, he is most widely known for his membership in the hard rock band Mudvayne. Mudvayne has enjoyed international acclaim with three gold albums, an MTV award and a Grammy nomination. He is the drummer and contributing writer/co-producer of Mudvayne along with the bands other three members. His early electronic music efforts can be heard on several Mudvayne releases. He composed, recorded, mixed and mastered the electronic interludes on the album “L.D.50” and the mixed piece “L.D.50” on the album “The Beginning Of All Things To End”.

Click here to read the entire interview.


Other Artist Interviews on Ambient Visions


John Koch-Northrup
and Tippi

 

AV's Q&A

Relaxed Machinery: AV talks with John Koch-Northrup

Relaxed Machinery grows organic ambient and techno music from scratch with only the purest of ingredients. Our artists care deeply about their music and Relaxed Machinery provides the nurturing and environment to allow them to harvest the finest of musical crops.

Click here to read John's interview.


Other AV's Q&A Features available on Ambient Visions


Relax Your Ears
by Joel Styzens

 

AV's Spotlight Review

Relax Your Ears by Joel Styzens AV Spotlight CD Review

The one thing that I love about running Ambient Visions is the chance to discover new music and to have some of that new music find its way into a regular rotation in my daily listening habits. I'm just like everyone else as I choose music to go onto my portable player to listen to throughout the day or what I choose to put on my stereo system to relax to at the end of a stressful day which means that I have music that I gravitate towards more often than not. I'm sure in the coming months Joel Styzens' CD Relax Your Ears will end up being played long after this review has been written and I am on to the next new discovery.

Click here for the rest of the review


Radiant Sky
by Scott August

 

AV's Spotlight Review

Radiant Sky by Scott August AV Spotlight CD Review

There are times that after you have heard enough music you start to think that you know what a certain album by a certain artist is going to sound like before you even start playing the music. You build up perceptions of a given artist based on what you have heard in the past from them and you have vague ideas based on the particular instrument that the artist plays as to what you think a release by them is supposed to sound like. If you had any preconceptions as to what you think Radiant Sky might or should sound like you should toss them out and approach Scott's new album with open ears because you will find that it isn't what you might have thought and it will definitely make you a fan of Scott August's talent as a musician if yoMcu weren't one already.  

Click here for the rest of the review


New Reviews on Ambient Visions

First Day Back...

by Lenny Kaplan


Click here to read

The Path Ahead

by Rocky Fretz


Click here to read 

Wings II

by 2002

Click here to read

Montagnola

by Bernward Koch


Click here to read


Scott August

 

Lost Canyons

AV's CD Focus Interview

Lost Canyons AV talks with Scott August

Native American Music Award winner, and three time nominee, Scott August is a nationally acclaimed composer, producer, keyboardist and Native American flute player know for his forays into World Music. His music has been featured on the nationally syndicated radio shows “Hearts of Space” and “Echoes” as well as receiving airplay on the the digital networks XM, Sirius and DirecTV. 

One of the nation’s most influential Native American flute players, August was a headline performer at the 2006 and 2007 Zion Canyon Flute Festival and the 2007 Central Coast Flute Festival. He is known for both his award winning music and knowledge of the Native American flute. In July 2005 he opened for Dr. Wayne Dyer at the International New Age Trade Show and he was a musical guest at the 2005 TED conference. 

Echoes radio says "August has always been a cut or two above most native flute players... He layers guitars, keyboards and all kinds of percussion into his compositions, moving from world fusion to airy ambiences." 

August has also composed music and sound design for hundreds of films, commercials and video projects, for clients such as NASA, The Discovery Channel, Lexus, Chevrolet, HBO, Nabisco, and Minolta. The Los Angeles Times has called his music "shimmering and luminous."

Click here to read  Scott Augut's interview about Lost Canyons

Other AV's CD Focus Features available on Ambient Visions


 

 

AV's Ambient Video Spotlight

Pegasus by Michio Ogawa

 


Eprom
by Willaim Edge

 

Fugue States Vol. 1
by Stephen Philips

 

Dexterity
by mara's torment

Ambient Visions News from Around the web

  • Posted April 29, 2010

Music service We7 hits milestone as ads cover streaming costs for the first time
Legal downloading boosts British music industry, new figures suggest
Music sales get more social with Spotify
The Sad State Of The Old Music Business
Facebook, Spotify say “I do”
Pandora and Facebook: So Happy Together

  • Posted April 24, 2010

Europe’s music industry could flourish with improved copyright rules
Music revolutionizes, future still a mystery
Online Music Field Singing A New Tune: Pink Floyd Vs. Digital
Amazon worried about Apple’s iPad?
Can P2P Be Made to Pay?

  • Posted April 23, 2010

Major music labels say iPod tax wouldn't be enough to protect recording industry
Plugged/Unplugged: How Facebook Will Change Digital Music
Now Vs Then: The Music Industry
Glick urges industry to look to private sector
Pandora and Facebook get social music right

  • Posted April 22, 2010

NCR Brings Digital Entertainment to Airport Travelers with First Major Kiosk Deployment
How Apple Will Change Music Discovery
Facebook Spreads Itself Across the Web

  • Posted April 21, 2010

Why Don't We Talk About Illegal Downloads Anymore?
Vinyl Is Forever: In Praise of Indie Record Stores
iLike Founders Ali And Hadi Partovi Step Down From MySpace Executive Team
Cloud-based mobile music rising in popularity

  • Posted April 20, 2010

Post-Digital Economy Act, we can make serious online progress
Digital copyright: Nation of pirates
The Economics of Making Money as an Artist in the Digital World…
'Cloud' Music Plans Could Become Mainstream
The ‘Great Wall of Silence’

  • Posted April 19, 2010

Is Piracy Really Killing The Music Industry? No!
Windfall Light: The Visual Language of ECM
Record purists won't give up their vinyl

  • Posted April 18, 2010

Music Industry Warns That It May Sue UK File-Sharers
Music industry's small voice
Galya interview at the Mainly Piano website

  • Posted April 17, 2010

Ning’s Bubble Bursts: No More Free Networks, Cuts 40% Of Staff
Ireland Is Latest With Plan to Cut Into Copyright Violations
UK music industry moves to save BBC 6 Music
Traditional music models are dead, claims industry expert
Protecting the music industry from those pesky consumers

  • Posted April 16, 2010

It's time to fight the copyright police state
Pelosi to music industry: 'You have an army of advocates' in Congress
Rounder Records sold to Calif. company
The record of independents
Sean Hickey Talks About Naxos, A Music Business with A Vision

Posted April 15, 2010

The music industry didn’t see the digital writing on the wall
Spotify rejects claims that it 'rips off artists'

  • Posted April 14, 2010

GAO Piracy Report Questions Entertainment Industry's Data
Tech pushes Japan's music scene; industry won't budge
HEAR AND NOW: iPadding the music industry
Digital Economy Act faces backlash

  • Posted April 13, 2010

Fast-track industry school launches
Independent Record Store Day
Vermont Internet start-up, Dympol, could change music downloads
His own music offers healing touch
Pomplamoose: Making A Living On YouTube
Amazon exec slams some in music sector
Administration assails pirates
Behind the music: Will fans go with the mflow?
iTunes Price Hike to Blame for Decreasing Track Sales?

  • Posted April 12, 2010

Politicians Vote To Kill Internet, Radio
Dream Tracker by Byron Metcalf, Dashmesh Khalsa and Steve Roach April 19th

  • Posted April 11, 2010

The government is as clueless as the music industry about the Internet
Billboard: iPad is the Palette for Music’s Future
Music Industry Gathers For Leading Edge Conference In Alice Springs
Album sales decline slows in Q1; digital sales dip
Record shops stage fightback
Musician, or Businessman?
Internet industry attacks new draconian Internet law

  • Posted April 10, 2010

Indie record stores dance to a different drummer -- on vinyl
Pandora's success means more bucks for artists
Music industry welcomes Digital Economy Act
Industry pros discuss future of music at Black Box
Music’s Digital Sales Boom Comes to an End
A Backspin on Music
The state we're in
Announcing Electro-Music Festival 2010

  • Posted April 9, 2010

Malcolm McLaren, Impresario and Rock Music Manager, Is Dead
Grown up and independent, Rhapsody's ready to play own tune
Tech Entrepreneur Peter Gabriel Knows What You Want
Industry cheers as Digital Economy Bill becomes Act
Supernova.com Music Community Opens to International Bands, Fans and Industry
U.K. embraces 'three strikes' for illegal file sharing


Vir Unis

 

Stand Still Like the Hummingbird

Artist Spotlight on Vir Unis 

I began music in the early to mid 80's as a drummer and occasional keyboardist for a couple bands heavily under the influence of the new wave/new romantic music that was mainly coming out of England those days; most notably bands like Japan, (early) Duran Duran, Adam & The Ants, Gary Numan, The Human League, Modern English, Talk Talk, and Tears for Fears. Going into the late 80's and early 90's (and quite disullusioned with the big hair/eyeliner bands) I began searching for a yet even more atmospheric sound beyond what 4AD and other more ethereal labels were producing at the time. Heavily influenced by the studio isolationist and cerebral works of Brian Eno and the more sensual quality of David Sylvian's instrumental albums, I started on a quest to make my own music for inner reflective spaces and something entirely new.

After spending nearly 7 years in the studio with a very small analog recording setup and minimalist sound devices, I delved into the world of digital/computer audio in the spring of 1996. My studio expanded with more synthesizers and drum machines added. I began to forge a stronger sound and began a deeper work into sound organization and manipulation, but always striving to keep it entertaining, visceral, and not fall into the alluring trap of experimenting for its own sake, which I always found way too repetitive.

From there I had a quite fortutious meeting a fellow artist and pioneer of Ambient/Tribal music, Steve Roach. At this time I was also working with Ma Ja Le a duo from Wisconsin. We recorded an album called "Imaginarium", which was produced by Steve Roach and released on Mirage, a division of Oasis Music in Canada. Spending nearly 8 weeks as the number one album on The New Age Voice playlist, "Imaginarium" introduced myself and Ma Ja Le to the broader ambient music community around the globe and brought many more opportunities to meet and work with some very talented musicians. The next several years were spent working on a more rhythmically driven sound, going back to the source as a drummer, and fusing elements of all the past and present influences in an electronic and ambient atmosphere.

The subsequent beat driven tribal/electronic albums were "Body Electric" (with Steve Roach, released on Projekt), "Light Fantastic" (with Steve Roach, released on Fathom/Hearts of Space), "Blood Machine" (with Steve Roach, released on GreenHouse Music), "Pulse n Atmo" (released on Groove Unlimited), "Thermal Transfer" (with Saul Stokes, released on Binary/Hypnos), "Live at Gathering 23" (released on Space for Music). "Mercury and Plastic", "Symbology", "Book of Mutations", "2012" (with The Elf Machine), "Tokyo Highway" (with the Elf Machine), "I/O" (with the Elf Machine), "Live at the Miramar" (with Interstitial), the Perimeter series (with James Johnson), and The Live Transmissions series (with James Johnson) were all released on AtmoWorks Music, which is a small artist owned label that I co-founded with James Johnson in late 2001. In between these more rhythmically charged albums, I also focused on the meditational and ethereal work with albums like "The Drift Inside", "Aeonian Glow" (both released on GreenHouse Music), "The Yellow House" (with Chris Short), "Live at Lakeview Planetarium", "Everything Seeks Balance", "Dreamers at the Edge of Decaying Light (early works vol.1)", "Primary Space (early works vol. 2)", "The Endless Days of The Mono Gods (early works vol. 3)", "A Flame That Leaves No Ashes", "Lumen", "Aquaculture" (with James Johnson & Chris Short), and "Not Even The Rain". I've also contributed as a guest artist for Steve Roach and have contributed to some compilations and label samplers. In addition to my own work, I've also done commercial work Sony Music/Sonic Foundry for the past 8 years.

I've produced three loop libraries with them, "Infusion: Fractalized Grooves & Atmospheres", "Bug Report", and "Rhythmicronics". These loop libraries were specifically designed for Sony's music program, Acid and contain a lot of beats and grooves which were typical of the solo and collaborative music I was working on. They also contained a lot of atmospheric washes and other electronic odds and ends. I've also contributed loops and themes for their latest program, Cinescore, which is a music generation program for filmmakers. These days I am working on a number of ongoing collaborations with fellow artists and a few solo efforts. I am also focusing on my label AtmoWorks as a source to release music at will, without the possible impediment of a third party's agenda and occasionally host our online radio program, AtmoStreams.

I am more inspired by paintings, drawings, films, and books, for creating music than I am by other's music. I consider myself a painter, primarily, using audio as a form of "paint" and the mind/ear as the "canvas". However, I do enjoy quite an eclectic array of music from many other composers, but I realize that I get more ideas for sound out of other things that occur in life, which I think keeps me from being too derivative of other's work. Music doesn't exit in a vacuum, I know, so I'm sure I could be compared to others, and generally find that i visit similar worlds of other musicians, but hopefully, have left my own mark.

Visit Vir Unis on the web


Following the Call
by Ann Licater

 

The Color of Light
by Dana Cunningham

 

Ambient Visions CD Reviews

04-05-2010 New Reviews featuring First Day Back by Lenny Kaplan
03-29-2010 New Reviews featuring Voices of the Ancients by Chad Kettering
03-28-2010 New Reviews featuring Relax Your Ears by Joel Styzens
03-24-2010 New Reviews featuring My Love To You by Mark Pinkus
03-23-2010
New Review featuring Ascension II by Clifford White
03-15-2010 New Reviews featuring A Delicate Balance by Lisa Downing
03-14-2010 New Reviews featuring Portal by Atomic Skunk
03-03-2010 New Reviews featuringBallerina by Michael C. Bell
02-17-2010 New Reviews featuring Ticket to Antarctica by KevOz
02-08-2010
New Reviews featuring Chasing Tornadoes by Patrick Gorman
10-22-2009
New Reviews Featuring Fly by Eric Harry
08-22-2009
New Reviews Featuring Imagine by George Skaroulis
04-18-2009
 New Reviews featuring Longer Days by Scott Ross
02-08-2009
 New Reviews featuring Drift by Dan Pound
12-21-2008
  New Reviews featuring Pond by Diatonis
06-14-2008
 New Reviews featuring Poesis Athesis by Robert Scott Thompson
06-08-2008
 New Review featuring A Warning from the Elders by Byron Metcalf
06-05-2008
 New Reviews featuring Love, Light and Water by Michael Stribling
03-16-2008
 New Reviews featuring Tapestry by Jim Gibson
02-12-2008
 New Review Featuring Infinite Plastic Creation by Richard Bone
02-10-2008
 New Reviews featuring Ambienthurnum by Psicodreamics
01-26-2008
 New Reviews featuring Carpe Lumen by Elijah Bossenbroek
10-07-2007
 New Reviews featuring The Open Door by Michael Straugh
09-23-2007
 New Reviews featuring The Useless Lesson by Kerry Leimer
07-08-2007
 New Reviews featuring The Range by Fulton and Reaves
07-01-2007
 New Reviews featuring The Regions Between by AWM
06-23-2007
 New Reviews featuring Dimensions by John Lyell
06-16-2007
 New Reviews featuring Reflection by Frederic Delarue
06-01-2007
 New Reviews posted featuring Buzzle by Tim Story
04-04-2007  New Reviews posted featuring Hope for Harmony by Kathryn Toyama

03-04-2007
 New Reviews posted featuring Conscience by M. Grassow & Thomas Weiss
02-13-2007
 New Reviews posted  featuring Dream Wide Awake by Omnimotion

Sounds to
Listen For

I Remain
by The Glimmer Room


Starlight Vol. 3
by Robert Carty


The Nature of Light
by Lea Atherton


Travel Bug
by Hesius Dome


Cromo
(piano & drones)
by Bruno Sanfillippo & Mathias Grassow


Circo Divino
by Alio Die and
Parallel Worlds


The Lost Tracks:
A Retrospective
Album Trilogy
by Quantum Leap


Serenity
by Kuutana


Krakatoa
by Robert A. Wolf


Joyfully Creeping
by Insomnious Noise


Voices of the Ancients
by Chad Kettering


Nothing, But Death
by Stray Ghost


Impressions Vol. 1
by Valdi Sabev


Ylang
by Robert Rich


Sun Tracer
by Phillip Wilkerson
Get your copy here


Monjour
by Anawaty/Russell


Relax Your Ears
by Joel Styzens


Hope
by Kendra Springer


In Flow of Light
by Julian Ray


Circular Scriptures
by Steve Brand



Imaginary Friends
by Various Artists


Hanging Masses
by Cell


The Ghosts of
Hanton Village
by Richard Bone


Virga
by Jeff Greinke


Destination Beyond
by Steve Roach


Between Worlds
by Deborah Martin
and Erik Wollo


Journey Through an Electric Garden
by Lemonchill
Listen on Lala


Inside the Voice Inside
by Pete Ardron


Wanderlust
by Terra Ambient


Divine Invasion
by Bluetech


Southampton Sunset
by Jane Leslie


The Edge of a Fairytale
by Between Interval


Early Works
by Phillip Wilkerson


The Twins
by Sky


Shade
by Parallel Worlds


Spirit Dome - Live Archive
by Steve Roach and vidna Obmana

 

 

 

 

 

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